Review: 'Fobbit'

FOBBIT
By David Abrams
September 2012
Black Cat (an imprint of Grove/Atlantic)
ISBN: 970-0-8021-2032-8                                                                                                                

While a hobbit lives in a hole in the ground -- a comfy, lovely hole -- a Fobbit lives within the confines of a Foward Operating Base in a war zone. It's neither comfy nor lovely, and it isn't always safe. But it's the life many characters have in Fobbit, the debut novel by David Abrams, based in part on his experiences on active military duty in Iraq.

Chance Gooding Jr. is "the Fobbitiest" of them all. As a Public Affairs Officer, he punches out press releases from inside Saddam's former Baghdad palace the way major league sluggers knock baseballs out of the park. No matter how many times he has had to write a variation of the same old story -- one or more of our people were killed or wounded, so were so many of theirs. Then the press release goes up the chain of command and comes back down after every comma is fussed over and imbedded cable news reporters broadcast more complete information hours earlier -- often from the scene itself.

Off-duty, Gooding reads. Catch-22 speaks clearly to him, no surprise, but he also tries to live in the worlds of Dickens' Hard Times, of Don Quixote and more. Stories are important to Gooding. He would agree with Joan Didion that "we tell ourselves stories in order to live".

The truth is elusive in a military organization, as Gooding's superior officer, Lt. Col. Eustace (Staci) Harkleroad's letters to his mother prove. These are master classes in how to shade, evade and twist the facts just enough to show how delusional some people are. And, of course, not a delusional, pumped-up "word to Jim Powers at the Murfreesboro Free Press or the ladies at the First Church of Redemption". Of course not.

Review: 'The Strange Fate of Kitty Easton'

THE STRANGE FATE OF KITTY EASTON (A Laurence Bartram Mystery)

By Elizabeth Speller
Crime fiction (British traditional historical)
June 2012
Houghton Mifflin Harcourt
ISBN: 978-0547547527
                                                                                                                                         
Laurence Bartram is getting accustomed to life after WWI, teaching and adjusting to life without his wife and newborn, who both died, and the woman he loves, who is separated from him while her husband, with no hope of recovery, clings to life.

Laurence accepts the invitation of his friend William, a talented architect who lost the use of his legs in the war, to look over the restoration of a church on a country estate. William, his ardent political wife Eleanor, and their young son Nicholas are stayiing with the Eastons, a prototypical country gentry family riddled with tragedy and secrets.

The tragedy that weighs heaviest on the family members is the disappearance of five-year-old Kitty more than 10 years ago. The lord of the manor, Digby, fell deeper into drink and tyrannical ways after the child vanished from her room one night. He was killed in France, while younger brother Julian survived to carry on at home. He pines for Digby's widow, Lydia, who is becoming more frail by the day and who cannot acknowledge her daughter may be dead. Youngest brother Patrick plays the role of ne'er-do-well, but his story, like that of all the Eastons, is deeper than first appearances.

It takes pages and pages for anything to really happen, but the church restoration -- and underground discoveries -- and an ill-fated trip to a London exhibition are trigger events that eventually bring to light most of the Easton secrets.

Speller's second Laurence Bartram novel is leisurely paced, better reflecting an era when people counted time in days and weeks, rather than minutes, and no one multi-tasked. The pacing highlights how events large and small could have lasting effects on the characters. The characters demonstrate qualities that may seem quaint today -- loyalty, thoughtfulness, reluctance to gossip but truthfulness when asked forthright.

The novel does require knowledge of characters from the first Laurence Bartram novel. Like this one, The Return of Captain John Emmett uses the crime fiction genre to explore how a people try to return to a way of life after war nearly destroys it. Laurence's decisions at the end of Kitty Easton portend interesting possibilities for continuing the series, as do the actions of other returning characters.

©2012 All Rights Reserved CompuServe Books Reviews and reprinted with permission

Review: 'Seating Arrangements'

SEATING ARRANGEMENTS
By Maggie Shipstead
Literary fiction
June 2012
Knopf
ISBN: 978-0307599469
                                                                                                                                           
Although it's not necessary to fall in love with characters while reading a novel, it is an interesting experience to be fascinated by those who represent something the reader disdains. Such was the experience of reading about a well-off WASP family and its circle of friends and family in Maggie Shipstead's debut novel, Seating Arrangements.

Because of Shipstead's talent, it's possible to view the first-world problems of this Manhattan titan of finance with empathy, as his true lot in life is revealed. The more the reader learns about Winn Van Meter and his family, both his children and those who came before him, the more his situation is apparent. He thinks he is the ultimate insider, yet it is revealed that family truths he grew up believing may not be so. He is trying to hold together a view of the world that upholds certain standards, doing his bit as a part of the establishment, yet he doesn't fit in as firmly as he had believed.

The novel takes place during the weekend of the oldest daughter's wedding. She is in her third trimester, but she is not the novel's focus. His youngest daughter could use a little understanding. She's not getting it, mainly because Winn is trying to uphold perceived standards about what is and is not proper. And in trying to uphold those standards, his conduct is far from becoming.

Review: 'Beastly Things'

BEASTLY THINGS
By Donna Leon
Crime fiction (Commissario Guido Brunetti)
April 2012
Atlantic Monthly Press
ISBN: 978-0-8021-2023-6
                                                                                                                                           

The body of a man without identification but with a distinct medical condition is found in a canal. As Commissario Guido Brunetti discovers who the man was, and why he was killed, the well-loved Venetian policeman will have to address personal and professional issues.

Because the man has a condition that makes him stand out, Brunetti is able to identify him. The man was a veterinarian, separated from his wife and beloved son, and moonlighting at a slaughterhouse for financial reasons. So in addition to exploring other investigative avenues, Brunetti must talk to the people at the slaughterhouse. This comes as talk around home centers on unsafe food.

In a remarkable setpiece, Leon describes the tour Brunetti and Vianello take through the slaughterhouse after hours. It is gruesome but not graphic, and a master class in how to write about something utterly horrible without using extremely specific sights and actions.

The mystery of who killed the victim and why does not make a difficult case. But that is not the point of Leon's book. Nor is the point the theme so similar to Upton Sinclair's The Jungle.

Rather, it is widespread and so often accepted corruption in personal and private lives that forms the foundation to Beastly Things. Whether it's Brunetti relying on the highly capable Signorina Elettra to discover information he needs or the business of any business -- to make money -- there is little innocence in his world.

Beastly Things is yet another deceptively thoughtful mystery from Leon, who once again also brings to vivid life Brunetti's Venice and the commissario's wonderful family.

©2012 All Rights Reserved CompuServe Books Reviews and reprinted with permission

Review: 'Beneath the Shadows'

BENEATH THE SHADOWS
By Sara Foster
Gothic fiction
June 2012
Minotaur Books
ISBN: 978-0312643362                                                                    

Grace agrees to go to a remote Yorkshire cottage with her beloved husband and new baby. The home belonged to Adam's late grandparents and he lived with them for a spell. One day, Adam takes the baby out for a stroll. Millie, safely in her stroller, is found on the cottage doorstep hours later. Adam is not seen again.

Nearly a year later, Grace returns to the cottage to pack things up and see if she can find any traces of Adam. Members of the most established family in the dying village have been taking care of the cottage and invite Grace into their circle. A stranger to town overhears her talk about fixing the place up for sale and she hires him on the spot. Grace's city-wise sister, an old platonic friend, a grandfather clock that seems to stop and start at will and a ghostie who only appears to children in the big house also keep Grace from feeling too lonely out on the moor.

Sara Foster has written an atmospheric, old-fashioned Gothic with homage paid to Daphne du Maurier's Rebecca, which the heroine is reading. The challenge in writing such a story is to be true to the formula while keeping the heroine from any obvious "Had I but known" moments or from acting TSTL (Too Stupid to Live). Foster has avoided those pitfalls. The atmosphere and secondary characters add to the enjoyment of sinking back into a story in which tradition in the setting and tradition in the way in which the story is told can be enjoyed.

©2012 All Rights Reserved CompuServe Books Reviews and reposted with permission

Review: 'Gods Without Men'

GODS WITHOUT MEN
By Hari Kunzru
Literary fiction
March 2012
Alfred A. Knopf
ISBN: 978-0307957115                                                                                      

"Only connect," as E.M. Forster wrote in Howards End, to "live in fragments no more" is a wish that's appears to be a plea against the fractured, chaotic and constantly in motion life in the 21st century First World. Hari Kunzru's fourth novel, Gods Without Men, is written in fragments of different times and places, but there are slender threads connecting them to each other. Whether the reader makes those connections and feels the fabric of a novel depends on the reader. And we all know we readers are not cut from the same cloth.

The novel is about both the trickster known as Coyote and the world of humans, those foible-filled creatures. In a way, Gods Without Men is as much a myth as novel, in that Coyote has set up and been caught in a trap in which humans are involved. During diferent eras, there is the inference that if one creature escapes, another must take its place (there is a similar story in Jonathan Strange and Mr Norrell that ended up being surprisingly poignant).

But that is the underpinning of the various stories contained within Kunzru's book. The main narratives are of a modern New York couple whose autistic son disappears for a few months while they are out West strolling around the Three Pinnacles rock formation out in the midst of the desert, a group in the late 1950s who seek wisdom from an alien race and a commune seeking wisdom from drugs as much as the aliens. There are connections between these stories, and a few others, that are not forced but which give few hints of how it all might tie together.

The main characters in all of these narratives are well-rounded portraits with compelling storylines. Jaz Matharu is a second-generation American who has given up Sikh ways and used his mad math skills to help develop a financial market software program, Walter, that would recognize 2001: A Space Odyssey's Hal as kin. His wife, Lisa, is a lapsed Jew who gives up her publishing job after it's apparent their son, Raj, suffers from serious autism. Kunzru is adept at letting the reader see how they both got to the ratty desert motel where they stay just before Raj disappears. Kunzru also does both characters the service of letting the reader see their lives from their individual points of view. Neither is the villian. Neither is without fault. And it would be fascinating to discover what happens to them after the novel closes. The sections where they are in limbo when Raj disappears are haunting.

Review: 'Dead Scared'

DEAD SCARED
By S.J. Bolton
Crime fiction (thriller/British police)
June 2012
Minotaur Books
ISBN: 978-0312600532                                                                            

DC Lacey Flint returns to star, with DI Mark Joesbury of Scotland Yard, in her second thriller by Bolton. This time, she's sent undercover by Joesbury to bring back intelligence about Cambridge students. Their suicide rate is far higher than normal and, unusually, more of them are young women than men.

But before the reader discovers this, the story opens with Lacey on top of a tower, perhaps ready to jump. Before finding out what happens, Bolton goes back in time to the beginning of her assignment. The author then goes back and forth, in very short chapters, among the narratives of Lacey, disabled Dr. Evi Oliver -- the Cambridge psychiatrist who knows Lacey's assignment and who is herself plagued by occurrences that terrify her -- and some of the earlier suicide victims. Plus Joesbury.

The terrors that the various victims suffer are indeed harrowingly portrayed. When Lacey finds herself not knowing if bad things are happening to her, or if she is dreaming, the suspense factor is increased. Bolton is a master at racheting up the suspense.

Add into the mix Lacey not being certain who she can trust, and the suspense tightens even more. For instance, there is the physician of one of the victims. She survived but is a burn victim who still cannot speak. What should Lacey think of his interest in his patient, or in Lacey herself?

As with many thrillers, disbelief must remain suspended for the reader to continue turning the pages. As long as one does not question too closely how believable any of the set-up is, Bolton is masterful at the ever-increasing pace of both danger and revealment in unspooling the story.

The revelation of what's actually going on may or may not appeal to readers, depending on their tolerance for sadism or conspiracy. The story concludes with an abundance of feminine jeopardy and, for professional and educated women, a preponderance of dependance upon their strong menfolk to see them through. Perhaps because of the setting, it's hard to not compare the ending here with that of Gaudy Night and reflect on how Harriet Vane, back in 1935, was her own person and didn't want even Lord Peter to rescue her. It's quite the contrast, and the fact Dead Scared comes nearly a century after that most celebrated Oxbridge novel is not, in the end, cause for celebration.

©2012 All Rights Reserved CompuServe Books Reviews and reprinted with permission

FTC discloser: A digital galley of the book was provided by the publisher via NetGalley.