By Ta-Nehisi Coates
Literary Fiction
September 2019
One World
ISBN: 978-0399590597
A child born in slavery, tasked with watching over his white half-brother, who has inherited gifts from his mother's side that draw the attention of both the slave owners and those in the Underground, is the teller of his own tale in Ta-Nehisi Coates's first novel, The Water Dancer.
The novel begins with a carriage ride over a bridge at night in which his brother and owner-to-be Maynard, drowns and Hiram Walker sees a vision of his ancestress, a fabled water dancer. Hiram lives after seeing a blue light and the lives of everyone changes:
There was peace in that blue light, more peace than sleep itself, and more than that; there was freedom and I knew that the elders had not lied, that there really was a home-place of our own, a life beyond the Task, where every moment is as daybreak over mountains. And so great was this freedom that I became aware of a nagging weight that I had always taken as unchangeable, a weight that now proposed to follow me into the forever. I turned, and in my wake, I saw the weight, and the weight was my brother, howling, thrashing, screaming, pleading for his life.
After losing his own mother, Hiram decides to adopt Thena as his new, well, if not quite mother, a close resemblance. Thena is wise, doesn't coddle and is someone Hiram should have listened to when he dared to dream of a different life. Hiram's gifts for memory and mimicry draw the attention of his father, who tasks his young son with looking over the scion of the house. Maynard is a classic rich child, not respected by the rest of the Quality and determined to stand out. His fiance, a wealthy young woman, will continue to play a role in Hiram's life.
After Maynard's death, his fiance still wants to buy Hiram as part of the now-defunct marriage settlement. Hiram, nearly 20 years old, begins to dream of freedom when a young woman captures his attention and appears to have feelings for him.
Things don't go as Hiram plans. He thought his life was hard before, but it's nothing compared to what he will face. And the differences he will make in the lives of others.
Hiram's journey wends it way through the myriad ways in which enslaved folk lived their lives, whether in the South or North, in places like Virginia, where even "freed" people knew their place and Philadelphia, where freedom only lasted as long as a body was not grabbed and placed in chains.
Trust is not given easily and for good reason. People have to prove themselves time and again, and they are tested time and again. There were times it was infuriating to read about Hiram being tested by those who were supposed to be against slavery. Hiram's journey is literally the hero's journey, in which he must prove himself again and again.
Although Coates has been a strong voice in reporting and commentary, this is his first foray into fiction that is not a comic book. Even using the voice of a character, the voice of Coates is easily recognizable from such works as his articles for The Atlantic and his masterwork, Between the World and Me. When Hiram waxes eloquently about his station in life, or the system under which he and his people strive, it is easy to hear Coates saying the words. With the use of magic realism in the story, to fully realize the dreams and desires of a Tasked people, The Water Dancer could only be his work.
The way Hiram sees the "Quality" folk, the slave owners, is searing commentary that lasts today about the elites:
The masters could not bring water to boil, harness a horse, nor strap their own drawers without us. We were better than them -- we had to be. ... even my own intelligence was unexceptional, for you could not set eyes anywhere on Lockless and not see the genius of its makers -- genius in the hands that carved out the columns of the portico, genius in the songs that evoked, even in the whites, the deepest of joys and sorrows, genius in the men who made the fiddle strings whine and trill at their dances, genius in the bouquet of flavors served up from the kitchen, genius in all our lost ...
It is not a novel to rush through, although there are page-turning sections as if this was a thriller. Instead, let Hiram's experiences flow over and be willing to dip into the enormity of what lives were like nearly 200 years ago. It helps those of us whose people did not suffer the enslavement of their bodies and the attempts to kill their souls understand how the legacy lives on today.
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