Showing posts with label Elizabeth Speller. Show all posts
Showing posts with label Elizabeth Speller. Show all posts

Monday, August 27, 2012

Review: 'The Strange Fate of Kitty Easton'

THE STRANGE FATE OF KITTY EASTON (A Laurence Bartram Mystery)

By Elizabeth Speller
Crime fiction (British traditional historical)
June 2012
Houghton Mifflin Harcourt
ISBN: 978-0547547527
                                                                                                                                         
Laurence Bartram is getting accustomed to life after WWI, teaching and adjusting to life without his wife and newborn, who both died, and the woman he loves, who is separated from him while her husband, with no hope of recovery, clings to life.

Laurence accepts the invitation of his friend William, a talented architect who lost the use of his legs in the war, to look over the restoration of a church on a country estate. William, his ardent political wife Eleanor, and their young son Nicholas are stayiing with the Eastons, a prototypical country gentry family riddled with tragedy and secrets.

The tragedy that weighs heaviest on the family members is the disappearance of five-year-old Kitty more than 10 years ago. The lord of the manor, Digby, fell deeper into drink and tyrannical ways after the child vanished from her room one night. He was killed in France, while younger brother Julian survived to carry on at home. He pines for Digby's widow, Lydia, who is becoming more frail by the day and who cannot acknowledge her daughter may be dead. Youngest brother Patrick plays the role of ne'er-do-well, but his story, like that of all the Eastons, is deeper than first appearances.

It takes pages and pages for anything to really happen, but the church restoration -- and underground discoveries -- and an ill-fated trip to a London exhibition are trigger events that eventually bring to light most of the Easton secrets.

Speller's second Laurence Bartram novel is leisurely paced, better reflecting an era when people counted time in days and weeks, rather than minutes, and no one multi-tasked. The pacing highlights how events large and small could have lasting effects on the characters. The characters demonstrate qualities that may seem quaint today -- loyalty, thoughtfulness, reluctance to gossip but truthfulness when asked forthright.

The novel does require knowledge of characters from the first Laurence Bartram novel. Like this one, The Return of Captain John Emmett uses the crime fiction genre to explore how a people try to return to a way of life after war nearly destroys it. Laurence's decisions at the end of Kitty Easton portend interesting possibilities for continuing the series, as do the actions of other returning characters.

©2012 All Rights Reserved CompuServe Books Reviews and reprinted with permission

Sunday, August 21, 2011

Review: 'The Return of Captain John Emmett'


THE RETURN OF CAPTAIN JOHN EMMETT
By Elizabeth Speller
Historical crime fiction                                                                                
July 2011
Houghton Mifflin Harcourt
ISBN: 978-0547511696

The end of World War I was a traumatic time for Britain, even though they won. Hundreds of thousands of men died, and more than a million came back wounded. Family dynamics changed, the roles of women changed, everyone who survived sought ways to carry on and cope with a world that had changed around them. At the same time, the Golden Age in mystery fiction began.

Elizabeth Speller brings all of these elements together in her debut novel, The Return of Captain John Emmett. It's a wonderful story that sheds light on the engimatic title character, the narrator who searches for the truth about Capt. Emmett's last days, the changes in British society and what happens when people think they're doing favors by not telling the truth.

Laurence Bartram is one young officer trying to put his life back together after the year. His wife and newborn son died while he was off fighting. Back in London, he's trying to write a book but is as diffident about it as he is about everything else. He learns of the suicide of a former school mate, John Emmett, who returned from the war a broken man. John's sister wants to know more about John's final days, so she enlists Laurie's help. Since he's so obviously at loose ends, and wants to be a decent chap, he agrees to see what he can find out.