By Elisabeth Gille
Fictionalized biography
September 2011
NYRB Classics
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJwqXRzNokm1jKDhWCPIFpYbGnVkom4yUBCyNqjRuDbgQn1R786DWQdOehlmX2JNk_CnGZeIvnGwvnFNWGBL-gJWtC0qHrDTs5W-TUrZ8xt00tvjruTpvjsRqhkOtxilxCeGqqggQ7f9Q/s1600/mirador.jpeg)
Elisabeth Gille was five years old when her mother was taken to the death camps and didn't return. Her father suffered the same fate. She and her older sister survived when a German officer saw the older girl's blonde hair and told their governess they were not taking any children that night. The governess understood. She and the children disappeared.
Decades later, when she was older than her mother ever became, and although she remembered nothing about her, Elisabeth tried to see the world through her mother's eyes. That attempt is The Mirador. Her mother was the once acclaimed, then forgotten, then reclaimed, writer Irene Nemirovsky. In pre-WWII France, Nemirovsky was greatly admired for her novels such as David Golder, the story of a Jewish banker who loses, then regains, a fortune. Reactions to this novel and Nemirovsky's being published in right-wing journals before her death made her a controversial figure as well as a celebrated writer.